Showing posts with label jane austen. Show all posts
Showing posts with label jane austen. Show all posts

Monday, November 4, 2013

The Movie Is The Movie, The Book Is The Book

by Jeffrey Dale Starr

Ender's Game

Last Friday I watched Ender's Game and I thoroughly enjoyed it. It must be noted that I never read the book.

But should that matter? Does my opinion of the movie not carry much weight because I haven't yet read what is considered one of the greatest sci-fi books ever written?

It's a tricky question.

When it comes to film adaptations of books, the results vary. You have great books made into dreadful movies (2010); you have so-so books made into fantastic movies (Jaws); and you have cases where both the movie and book were great (The Silence of the Lambs, The Hunger Games).

I understand the frustration of the book-fan who cries, "the movie is nowhere near as good as the book!" It's the same frustration I felt when Nirvana went on to world fame...I loved the band but I was upset that Pixies weren't getting credit as the creators of the genre. The anger that fans of the book feel is based more on the perceived snubbing of the book than the merits of the film, I think.

Another common complaint from the book fan is that the movie left out passages from the book, or made some changes to the plot.

This is where the title of this article comes in: the movie is the movie, the book is the book. Books are not movies and vice versa.

A recent example of this dilemma is the Lord of the Rings trilogy. Hardcore fans want to see every tidbit from the books on the screen. Trouble is, this would necessitate a 7-hour movie (as it is, the uncut version of Return of the King gets close to that running time.) If your desire as the book-fan is that more people will read the book you love, you're shooting yourself in the foot if you end up with a movie considered unwatchable by the masses.

I have to admit, however, that I get frustrated when plot points are changed for no apparent reason. For example: in The Hunger Games, how Katniss acquires the Mockingjay pin was altered for the movie. I can't imagine how the movie benefited from that variation.

But then again, someone who enjoyed the movie and hasn't read the books might accuse me of being a crybaby. And he might be right.

I do think, though, that some stories should not be rushed. A perfect example of this is Pride and Prejudice. Jane Austen crafted some of the finest dialogue ever conceived in her masterpiece, and a two-hour movie simply does not give that novel the time and breathing room necessary to develop properly. Which is why the Colin Firth miniseries will always be definitive.

Books That Should Not Be Filmed

Then there is a different category - books that should never be turned into movies.

These are typically books that are heavy on narrative and writing style. One of my favorite authors is Kurt Vonnegut. But every adaptation of one his books is a disaster. What makes a Vonnegut novel great isn't so much the story, but the unique way that the author expresses himself.

I guess, conversely, you could say the same thing about highly visual directors. Who wants to read The Tree of Life: The Novel?

Other books that have failed in this regard: The Hitchhiker's Guide To The Galaxy; anything written by Hunter S. Thompson.

In conclusion, I guess it's best to view movies and books as two entirely different art forms that should stand on their own merits.

If you loved a book you might love the movie, but I wouldn't count on it.






The Art of Jeffrey Dale Starr

Jeffrey Dale Starr is a world traveler, oil painter, and owner of mobile software company Purple Falcon.

Thursday, September 26, 2013

Movie Review: "Austenland" Fails To Understand Its Audience

Austenland

I am a huge Jane Austen fan. "Pride and Prejudice" is one of my all-time favorite books, and Austen is in my top-3 favorite authors (along with William Faulkner and Kurt Vonnegut...in no particular order.)

So I know what the audience for a movie like this one wants.

Here's the premise: a late-30-something spinster (Keri Russell) is absolutely obsessed with Jane Austen. She has had terrible romantic relationships and seems to have a difficult time coping with the modern world.

Then she hears about Austenland, a kind of role-playing theme park wherein the guests can become absorbed in the worlds of Emma, Mr. Darcy and the Dashwoods. She thus cleans out her savings account and heads off to England.

At this point, the movie is fairly engaging. Her obsession with Austen is a bit over the top, but that's alright.

The movie begins to fail when it actually arrives at Austenland. The tone is broad comedy, and there are more than a few crude jokes (usually involving Best In Show actress Jennifer Coolidge.) This is where the director makes a serious misstep. Literature fans in 2013 are reading Jane Austen for a reason. And it isn't to get humor one can find on Two and a Half Men. The moments of Georgian-era innocence juxtaposed with modern crassness simply do not work. They are jarring and completely break the mood.

After seeing it, I thought about this movie for days. And I kept coming back to the same thought - how much better it would have been if they had played it straight. Basically, once Russell's character gets to Austenland, have the movie turn into the equivalent of a Jane Austen adaptation. Then one of the key messages of the movie would have been driven home more effectively: what is reality? That way the movie could be more of an existential puzzle...is what we're seeing real, or part of the theme park? Does it matter? Are our own lives more tangible than our thoughts?

I really, really wanted to love this movie. But in the end, it was a misfire.

Mr. Darcy would agree.

Rating: 2 stars




The Art of Jeffrey Dale Starr

Jeffrey Dale Starr is a world traveler, oil painter, and owner of mobile software company Purple Falcon.